Sunday, 13 April 2014

Dante's Equation by Jane Jensen

I first read and reviewed Jane Jensen's novel Dante's Equation six years ago, but have just read it again since it was one of my recommendations selected for the monthly read of the Classic Science Fiction group. This is what I said about it the first time:
Aharon Handalman is a rabbi in modern Jerusalem who is fascinated by "Torah codes"; hunting for significant words in the patterns of letters in the book. One name which keeps recurring is that of Kobinski, a rabbi, philosopher and physicist who disappeared in Auschwitz. Denton Wyle is a vain and wealthy young American who amuses himself by researching mysterious disappearances for a magazine on popular mysteries. He too becomes intrigued by Kobinski, who apparently vanished without trace. Calder Farris is a USMC officer assigned to the Department of Defense in order to monitor scientific research for weapons potential. And Dr Jill Talcott, aided by her graduate student Nate Andros, is at a US university researching wave mechanics while pursuing an "energy pool" hypothesis, that all matter exists as energy waves in a higher dimension. The lives of these characters gradually converge as they realise that Kobinski may indeed have discovered something of great potential and that he left records which had become scattered across the world.

So far this seems to be just another modern mystery – if not mystic – thriller, but the perspective changes as the characters find out the hard way that the consequences of Kobinski's and Tallcott's work are very real. They find themselves in a series of worlds which differ radically from each other as a result of variations in the frequency of their energy waves, and their experiences fundamentally change them.

This is a very ambitious and original work by a writer best known for creating computer games. It is not only broad in scope, it is massive in length too, at nearly 700 pages. Regular readers of this blog will recall that I usually take a jaundiced view of very long SF novels, finding most of them to be either so padded as to be slow and tedious, or so packed with characters and incident that I lose track of who is doing what to whom and why. Jensen falls into neither trap: this is a well-paced and well-told story, using its length to develop the characters into distinctive and convincing individuals struggling to cope with the bizarre situations in which they find themselves - and with each other. The book engaged my attention from the start and built up into an impressive and satisfying climax. Well worth the time to read.
My original high opinion of Dante's Equation was reinforced by the second reading. Interestingly, I discovered that while my recollection of events in the book was (fortunately) somewhat patchy, what had stuck clearly in my memory were the characters involved and the strange worlds they came to inhabit. In fact, despite its length one criticism I would make was that their time in these worlds came to a rather abrupt conclusion – this book could have been longer.

The plot of this adventure thriller contains a curious mixture of religion, mystery and physics which won't appeal to everyone, but I have decided to grant it the very rare accolade for a modern book of inclusion in my list of all-time favourite SFF novels.

Monday, 7 April 2014

Films: Next (2007) and Cloudy with a Chance of Meatballs (2009)

I have commented before that Nicholas Cage is not one of my favourite actors and, what's worse, at one time I disliked the films he was making to the point that seeing his name on the credits was enough to put me off watching them. However, he has more recently produced a number of films that I have rather liked. I reviewed Knowing here in September last year, and I have previously enjoyed the National Treasure duology, a lightweight but fun blend of Indiana Jones and Dan Brown.

Next (yet another film based on a story by Philip K Dick) continues this trend. Cris Johnson (Cage) is able to see two minutes into his own future, a secret talent that enables him to make a living as a stage magician and gambler. His life becomes a lot more complicated when the FBI, in the form of Agent Ferris (Julianne Moore), discovers his ability and wants to recruit him in an urgent search to locate a nuclear bomb thought to have been smuggled into the USA by terrorists. Further complications arise when Johnson meets the woman he believes to be the love of his life (played by Jessica Biel) while he is being hunted by both the FBI and the terrorists. The plot is complex and well-handled, and the ending is unexpected. This didn't get good reviews, but I found it well worth watching.


Cloudy with a Chance of Meatballs is an animated film concerning the adventures of unsuccessful but determined young inventor Flint Lockwood, who devises a machine that is able to convert water into food. This accidentally ends up in the sky, from where it promptly begins to suck in the clouds and shower whatever food Flint specifies onto his home town. This promises to save the town from economic disaster and makes him a hero – but inevitably, things start to go wrong. The film has fun lampooning targets such as the ambitious politician who wishes to become bigger than his job of town mayor permits (and he does…) and the condescending sexism of a TV presenter, and it must be commended for making the hero a science nerd. Furthermore, the cute weathergirl sent to report on his efforts, with whom he instantly becomes smitten, turns out to be a science nerd herself, and who secretly wears (shock, horror) glasses!

I find that I have a patchy relationship with animated films, which although aimed at youngsters vary greatly in their appeal to adults in general (and me in particular). Leaving aside the marvellous stop-motion products of Aardman Animation (especially the Wallace and Gromit series), animations which I have enjoyed include Ratatouille (particularly) and Wall-E, those I haven't persevered with include Toy Story and Up. Cloudy falls just on the favourable side of that divide.


Season three of Game of Thrones has at last become available on DVD, so I've taken a deep breath, gritted my teeth, stiffened my sinews and plunged in to yet another few hours of grim and nasty action. With dragons. I'm not at all sure that I actually like this series because it's so dark, but it is such a magnificent production that I can't stop watching.

Saturday, 29 March 2014

Interzone 251

The author interview this time is with Simon Ings, juxtaposed with a review of his novel Wolves, set in a dystopian near future in which a global catastrophe is about to happen. Not one likely to find its way into my reading pile. In fact, of all the books reviewed here only one sparked my interest – Fiddlehead by Cherie Priest, one of her Clockwork Century series, steampunk adventures set in an alternative nineteenth century. Must look those up. Of the many film and TV reviews, those that I might see include Her (a very favourable review), Thor: The Dark World (also favourable), Ender's Game and The Hunger Games: Catching Fire (both given rather lukewarm endorsements).

On to the short stories:

Ghost Story by John Grant, illustrated by Richard Wagner. A happily and faithfully married man is startled to receive a message from a family friend to say that she is pregnant, and he is the father. He arranges to meet her and finds their memories of the last few years to be entirely different. It gradually becomes clear that something is very wrong….

Ashes by Karl Bunker, illustrated by Jim Burns. In a world almost depopulated by disease, a man travels with a robot IA friend to find an appropriate place to bury the ashes of his partner. But something strange is happened to the IAs, who keep disappearing.

Old Bones by Greg Kurzawa, illustrated by Jim Burns. A horror story concerning an old man hiding in a city occupied by the enemy, and a surgeon who says he wants to help him. Baffling.

Fly Away Home by Suzanne Palmer, illustrated by Martin Hanford. A much longer novelette about a female engineer mining asteroids in a dystopian future in which the miners are effectively indentured for life and women are, at best, second class citizens. After being raped, she plots an elaborate revenge.

A Doll is Not A Dumpling by Tracie Welser, illustrated by Richard Wagner. Another robot IA, this time one that sells dumplings, is hijacked by people who want to use it for something entirely different. Rather mystifying.

This is How You Die by Gareth L Powell. Yet another dystopian future in which a flu-like lethal illness has destroyed society. Depressing, but fortunately very short.

For me, Palmer's story is the stand-out one and (probably not coincidentally) the nearest to a traditional SF tale. Although the plot summary does not sound encouraging, we are given a brave and resourceful heroine to cheer on. Of the others, Grant's tale is intriguing and well worth reading again. The rest are best not read by anyone who prefers light and optimistic fiction.

Saturday, 22 March 2014

A Madness of Angels by Kate Griffin

Yet another recommendation from a review in Interzone, The Madness of Angels does make me wonder just how many different stories set in an occult version of contemporary London the market can cope with. Currently we have Jacka's Alex Vera novels and Aaronovitch's Rivers of London series, before that we had the stand-alone novels Un Lun Dun from China Miéville (and also Kraken by the same author – yet to be read), Paul Cornell's London Falling (also yet to be read), Christopher Fowler's Roofworld, and finally Neil Gaiman's Neverwhere. I say finally, but no doubt there are others out there…

A Madness of Angels is the first in a series of four published so far, and is recounted in the first person by Matthew Smith, a journeyman sorcerer who was killed by his mentor, the powerful sorcerer Robert James Bakker, two years before. He is therefore somewhat disconcerted to find himself back in the flesh, sharing his body with a collection of strange beings known as the "blue electric angels". He discovers that in his absence Bakker has created a vast occult organisation called the Tower, which has incorporated most of the magical talent in London by the simple expedient of killing everyone who refused to join. Matthew Smith is being hunted but he has revenge in mind and has no intention of giving in, so he recruits an unlikely band of assorted allies and battle commences, with the geography of the city forming an effective background.

Author Griffin slots into the London occult canon at what might be called the "richly detailed fantasy" end of the spectrum. Her style is more similar to Aaronovitch than Jacka, but the pace is slowed somewhat, leading to the book being significantly longer. I thought of Clive Barker's work when reading this (I really must read Weaveworld again, I haven't done so since it was first published). While I generally prefer a fast pace to a long book, Griffin succeeded in keeping my attention, and I will be buying more of this series.